The cultural history of what is now Ontario stretches back more than 10,000 years. Many Nations and many peoples have called this place home. MyOntario – A vision over time marks this long history by opening a conversation among Ontarians about our experiences, identities, values and aspirations.
We are asking people from across the province to share their stories – the places, memories, photos, artifacts, artworks and traditions that inspire you, that motivate you and help define who you are. Be the province's storytellers, record keepers, historians and visionaries!
Let's build a deeper understanding, showcase our diversity and create a lasting record that reflects the breadth, depth and complexity of our great province as we look to the future.
Christine McMullan (née Orlowski)
During the 1920s and 1930s, my father, his six siblings and his parents would travel from Toronto to do seasonal work on farms in the Vineland area. One farm in particular was the Culps farm on John Street, with all living in a small cabin on the farm. When they stayed on into the fall, he and his s
Keirsten & Kasha
Fulford Place was the estate of a millionaire by the name of George Fulford I at the end of the 19th century. This estate was passed on to his son George Fulford II, who at the time of his passing, bequeathed it to the Ontario Heritage Trust. The three reasons why they decided to take the property u
Afua Cooper, PhD (James R. Johnston Chair in Black Canadian Studies, Dalhousie University)
The Black history of Ontario inspires me and defines who I am
Peggy Pompadour haunts me. I walk through the streets of Ye Olde Towne Toronto and I feel her presence – this Black enslaved woman who was owned, jailed and sold by colonial administrator Peter Russell. Peggy often ran away from slavery
J.M. Rowe, Esquesing Historical Society
The Great War 1914-1918
The home front – Georgetown
This quilt was created through the efforts of the Georgetown Women’s Institute in 1915. The citizens were asked to pay 10 cents per name to have it embroidered onto a square for the quilt. It was completed in time for the 1915 Esquesing (George
Yannick Bisson (film and television actor and director)
Reconnecting with nature
My first visit to Ontario, from Québec, was at about age 8. I have a distinct memory of arriving by car down the Don Valley Parkway. Jerry Rafferty's Baker Street was playing on the radio and I was completely amazed that there was such a massive green space in the middle o
William R. Fitzgerald (archaeologist)
A divine intersection of history and archaeology
Suspicion, fear, and intimidation met Jesuit priests Jean de Brébeuf and Pierre-Joseph-Marie Chaumonot during their Mission of the Angels to “la Nation Neutre” between November 2, 1640 and March 19, 1641. This tribal confederacy – so named by Champl
Adrienne Shadd (historian, curator and author)
Reflections on my hometown
In the year of the 150th birthday of Canada, I would like to pay tribute to my hometown. North Buxton started out in 1849 as a colony established by escaped slaves and free Blacks from the United States. One of the final stops on the Underground Railroad, Buxton occupies
Litsa Tsouluhas
I love Toronto because it celebrates diversity. This is unique, not only to Canada but to the world.
Ontario means the Great Lakes.
Ontario is making an effort to redress a colonizing past.
- Litsa Tsouluhas - National Aboriginal Day at Fort York National Historic Site - June 22, 2017
Pamela
The St. Lawrence River has always been an integral part of the Brockville community. For the Fulford Family, who lived in town from the mid-nineteenth century onward and saw their fortunes skyrocket after 1890 because of investment in the "Pink Pills for Pale People", having the means the entertain
M. Margaret Froh (President of the Métis Nation of Ontario)
The Métis sash
Métis youth leader Katelyn LaCroix was recently asked what being Métis meant to her. She replied that “like the sash, we are two cultures coming together to create something new and beautiful and useful.” This comparison is as apt as it is poetic because the sash is such an essentia